Designing characters, stories and more with Shilo’s Jose Gomez

If you haven’t seen the book “We Make It Good” from the filmmakers at creative production company Shilo, you are hereby enthusiastially encouraged to check it out. As you’ll see there — or by exploring Shilo’s archives at www.shilo.tv — much of the company’s extraordinary content leverages the character design talents of co-founder, creative director and director Jose Gomez. Among many illustrious achievements to date, Jose and his team helped creative agency ATTIK bring Scion’s world famous deviants to life, building upon Shilo’s many other breakthrough film projects, and some design feats earlier in Jose’s career for highly successful skate, snow and surf brands. Since regular video conferences typically involve Shilo’s entire executive team on both U.S. coasts in every company undertaking, Jose’s skills as a character designer weigh heavily into most Shilo projects. Collaborating most recently with GlobalHue Latino, Shilo’s latest film Read more

The power of dreams…

At an early age, I decided I was going to be a writer. Somewhere along the way, I also took a strong interest in filmmaking, and being very ambitious, by the time I was 20 years old, I developed a clear vision of myself as novelist and filmmaker. While I have made great strides on achieving those dreams over the years, I must admit that I have a long way to go in seeing them through; nonetheless, those dreams have driven me into situations that I never would have imagined, and while I’ve not yet fully accomplished those missions, I feel very fortunate to have progressed as far as I have.

By pursuing the opportunies that have come my way over the years and applying my talents, my writing achievements and my reputation for success have opened many doors. One of them opened in the early 90s when a young Orlando filmmaker named Bill Waxler decided he wanted to produce and direct a 16mm short film based on something I’d written. Delving into my past experiences, I wrote a script for a dramatic short which I entitled “Bumper Crop,” and in that story Read more

Laura Longsworth: Thanks for the Documentary

Thanks once again to Sundance Channel, I recently had another life-altering experience from a documentary film they chose to program. This time, the film is entitled “Luckey,” it was produced, written and directed by filmmaker Laura Longsworth, and it documents the challenges faced by sculptor Tom Luckey to carry on with his life, his artistry and his business after experiencing a major spinal injury. Read more

Creative Entrepreneurs: David Bouck

While attending the Boards Summit last October, I had the pleasure of meeting and befriending David Bouck (IMDB, LinkedIn), a veteran producer working in commercials, television and feature films. David is the founder and executive producer of Means of Production in Vancouver, a production services company specializing in television commercial production and still photography servicing all of Canada. After recently sending me his latest company reel (featured above), I peppered him with questions which he has kindly answered below. Read more

Brilliant Directors: Brand New School

With studios in New York and Los Angeles, Brand New School is a bicoastal directing collective working in all fields of commercial art. Ever evolving, the studio continues to cultivate a sense of wonder and exploration. For its artists and clients alike, BNS represents an opportunity to play at work, to conduct experiments in imagemaking, and to feed the inspiration that drives the industry. For more information, please visit www.BrandNewSchool.com.

Heroes of heroes: Damion Clayton

My formal studies into the amazing artform of the music video began in 1981, when MTV first appeared. I was 15. Soon, I’d watched so many that I was dreaming them… and since then, hearing great music has always triggered MTV-inspired cinematic visions. Today, my studies continue, and I consider myself very lucky to have crossed paths with many masters in this field, each of whom is a hero to a director who has made something I’ve seen on television and loved, for one reason or another. Damion Clayton, editor at Rock Paper Scissors, is one of those heroes. Read more

I’m all about learning, friending at the 2009 Boards Summit

Calendar year 2009 has been a constant challenge for me, and I consider myself very lucky compared with many I know who are facing difficult times. My thoughts remain with them as I carry on daily in what is truly my dream job, and while I’m hoping things will get easier for everyone who’s struggling, I’m also doing more to benefit others. Through this process, I’m finding that strengthening myself and my capabilities is impacting a growing circle of friends and colleagues. A large share of my business now occurs within the commercial production industry. Read more

Proven social media marketing strategies, tactics and breakthrough ideas for the ad and film industries

This week I had the pleasure of attending a webinar entitled, “Tweet this! Using Twitter and Social Media to Promote your Project and Yourself,” which was organized and moderated for StudioDaily.com by Film & Video Magazine’s Editor-in-Chief Bryant Frazer (@bryantfrazer), and featured Mike Monello (@mikemonello), co-founder and executive creative director at Campfire Media and co-producer of “The Blair Witch Project,” Erik Proulx (@eproulx), freelance creative director, copywriter, employment activist, social entrepreneur at Please Feed the Animals, and director of the short documentary film, “Lemonade,” Ian Schafer (@ischafer), CEO of Deep Focus, and Paul Klinke and Tobin Nageotte (@37click), co-founders of thirtysevenclick, and producers of the independent comedic short “Moustachette.” Read more

Kevin McMahon: Thanks for the Documentary

At some point over the past several weeks, my eyes were opened to the global water crisis, but I see now that I’m only beginning to get the full picture. Last week, I posted an entry on Irena Salina’s “FLOW,” and last night, my wife and I had another chance to see that amazing film thanks to it being repeated on the Sundance Channel. This morning, we found it there again and watched more of it with our 8-year-old daughter. After these viewings, I realized that there was a second powerful film I had recently seen (thanks again to Sundance Channel) on this subject: filmmaker Kevin McMahon’s “WATERLIFE.” Read more

Irena Salina: Thanks for the Documentary

Filmmaker Irena Salina has created an amazingly powerful documentary film entitled “FLOW: For the Love of Water,” which debuted at the 2008 Sundance Film Festival and has since won the International Jury Prize at the Mumbai International Film Festival, as well as Best Documentary honors at both the Vail International Film Festival and the United Nations Association Film Festival. Within the past several weeks, I saw the film on the Sundance Channel, and I want to encourage as many people as possible to see it. If interested, you can order the film on DVD by visiting this link. Read more