Designing characters, stories and more with Shilo’s Jose Gomez

If you haven’t seen the book “We Make It Good” from the filmmakers at creative production company Shilo, you are hereby enthusiastially encouraged to check it out. As you’ll see there — or by exploring Shilo’s archives at www.shilo.tv — much of the company’s extraordinary content leverages the character design talents of co-founder, creative director and director Jose Gomez. Among many illustrious achievements to date, Jose and his team helped creative agency ATTIK bring Scion’s world famous deviants to life, building upon Shilo’s many other breakthrough film projects, and some design feats earlier in Jose’s career for highly successful skate, snow and surf brands. Since regular video conferences typically involve Shilo’s entire executive team on both U.S. coasts in every company undertaking, Jose’s skills as a character designer weigh heavily into most Shilo projects. Collaborating most recently with GlobalHue Latino, Shilo’s latest film Read more

SHOWTIME Launches “Inside NASCAR” with Promotional Support from We Are Plus

The brand movement specialists at strategic creative ideas studio We Are Plus (www.weareplus.com) are very proud to detail their latest project, the complete graphics package, including main titles and launch spot, for premium television’s first weekly highlights and analysis program dedicated to America’s number one spectator sport, the new SHOWTIME® series, “Inside NASCAR.” Produced in association with NASCAR Media Group, the new series premiered on February 10 on SHOWTIME®, and will run for 38 weeks, corresponding with the NASCAR Sprint Cup Series season. Read more

The power of dreams…

At an early age, I decided I was going to be a writer. Somewhere along the way, I also took a strong interest in filmmaking, and being very ambitious, by the time I was 20 years old, I developed a clear vision of myself as novelist and filmmaker. While I have made great strides on achieving those dreams over the years, I must admit that I have a long way to go in seeing them through; nonetheless, those dreams have driven me into situations that I never would have imagined, and while I’ve not yet fully accomplished those missions, I feel very fortunate to have progressed as far as I have.

By pursuing the opportunies that have come my way over the years and applying my talents, my writing achievements and my reputation for success have opened many doors. One of them opened in the early 90s when a young Orlando filmmaker named Bill Waxler decided he wanted to produce and direct a 16mm short film based on something I’d written. Delving into my past experiences, I wrote a script for a dramatic short which I entitled “Bumper Crop,” and in that story Read more

Creative Entrepreneurs: David Bouck

While attending the Boards Summit last October, I had the pleasure of meeting and befriending David Bouck (IMDB, LinkedIn), a veteran producer working in commercials, television and feature films. David is the founder and executive producer of Means of Production in Vancouver, a production services company specializing in television commercial production and still photography servicing all of Canada. After recently sending me his latest company reel (featured above), I peppered him with questions which he has kindly answered below. Read more

Brilliant Directors: Brand New School

With studios in New York and Los Angeles, Brand New School is a bicoastal directing collective working in all fields of commercial art. Ever evolving, the studio continues to cultivate a sense of wonder and exploration. For its artists and clients alike, BNS represents an opportunity to play at work, to conduct experiments in imagemaking, and to feed the inspiration that drives the industry. For more information, please visit www.BrandNewSchool.com.

Expanding Artistry from LA Design Studio Elastic

I expect that most of my Facebook and creative industry friends who have seen all the amazing project work I’ve been sharing from LA-based full-service design studio Elastic will agree that the company’s phenomenal artists have hit every project they’ve touched out of the park. From the recent Honda Accord Crosstour “Instruments” and “Boxes” spots for ad agency RPA, to the Verizon “iDon’t,” “Surfer” and “Homing Device” Droid spots for mcgarrybowen, the adidas “It’s On Me For We” spots for 180/LA, the Lexus HS Pods spots for Team One, and more cool work for FUEL TV, Nike and others, sharing the company’s artistry over the past year has been an amazing adventure for yours truly. At this point, I’d like to take this opportunity to sincerely thank anyone who has shared the company’s work; your interest in Elastic is appreciated immensely! Read more

Lessons on professionalism, persistence and “Endurance” from artist Theresa Ortolani

Two years ago, I attended a publishing workshop hosted by Kiki Bauer, senior designer for powerHouse Books, at the powerHouse Arena in Brooklyn. Six of us attended, each eager to discuss our very specific idea for a brilliantly conceived, beautiful and riveting coffee-table book like those famously published by powerHouse. Theresa, Lori, Brad, Debra, John-Michael and I all presented our pet projects to Kiki on that day, and I’ll bet the rest of our classmates are as proud as I am to see that Theresa has persevered in seeing hers through, and getting it into print: “Endurance” published by powerHouse Books, is now available for purchase. In fact, the official launch party is happening at powerHouse Arena on Thurs., Dec. 3. More information on Theresa Ortolani, “Endurance” and this very cool upcoming event follow below. Read more

Heroes of heroes: Damion Clayton

My formal studies into the amazing artform of the music video began in 1981, when MTV first appeared. I was 15. Soon, I’d watched so many that I was dreaming them… and since then, hearing great music has always triggered MTV-inspired cinematic visions. Today, my studies continue, and I consider myself very lucky to have crossed paths with many masters in this field, each of whom is a hero to a director who has made something I’ve seen on television and loved, for one reason or another. Damion Clayton, editor at Rock Paper Scissors, is one of those heroes. Read more

I’m all about learning, friending at the 2009 Boards Summit

Calendar year 2009 has been a constant challenge for me, and I consider myself very lucky compared with many I know who are facing difficult times. My thoughts remain with them as I carry on daily in what is truly my dream job, and while I’m hoping things will get easier for everyone who’s struggling, I’m also doing more to benefit others. Through this process, I’m finding that strengthening myself and my capabilities is impacting a growing circle of friends and colleagues. A large share of my business now occurs within the commercial production industry. Read more

Proven social media marketing strategies, tactics and breakthrough ideas for the ad and film industries

This week I had the pleasure of attending a webinar entitled, “Tweet this! Using Twitter and Social Media to Promote your Project and Yourself,” which was organized and moderated for StudioDaily.com by Film & Video Magazine’s Editor-in-Chief Bryant Frazer (@bryantfrazer), and featured Mike Monello (@mikemonello), co-founder and executive creative director at Campfire Media and co-producer of “The Blair Witch Project,” Erik Proulx (@eproulx), freelance creative director, copywriter, employment activist, social entrepreneur at Please Feed the Animals, and director of the short documentary film, “Lemonade,” Ian Schafer (@ischafer), CEO of Deep Focus, and Paul Klinke and Tobin Nageotte (@37click), co-founders of thirtysevenclick, and producers of the independent comedic short “Moustachette.” Read more