January 8, 2009: seaQuest revisited…

You may know this already: I have been rediscovered.

Some of the world’s united seaQuest fans contacted me in February of last year. Soon thereafter, an entry was made to the official Wikipedia seaQuest entry adding my original script to the log of actual episodes of the NBC/Universal television series which sadly ended its network primetime run in 1996. I did not work on the show as a writer, but I did serve the season three top brass, and took my shot with a spec script for season four. While it was very well received — seaQuest 2032 was not renewed. Which is probably a good thing, because my episode would have cost them a fortune to produce (grin)….

I didn’t make a penny on the effort, but I made myself proud. And years later, hearing from the fans has been a blast. In serial fashion, over a period of weeks, I gave them the script act by act, and eventually unraveled the entire episode.

The one and only television script I have ever written to this point in my life follows below in its entirety. Beware: It’s a little spooky.

All Rights Reserved.

February 26, 1993: Bumper Crop, Part 3

In February of 1993, together with my friends Bill Waxler, Peter Eisner and Bob Storer, I spent a very interesting day assembling the picture and sound for “Bumper Crop” at Digital Multi-Media Post, Bob’s treasure-laden post-production facility in Orlando. There, in Mr. Storer’s hands, we saw the performance Harry Phipps had given us nearly two years before edited together to present the story I’d written, based on a life I had observed and thought about long before. Read more

February 22, 1991: Bumper Crop, Part 1

A new film school grad fresh off a six-year Air Force Reserve commitment, this time of life was alive with possibilities. I was in love with a girl named Beth — 15 months later we married, and at this moment, we’re approaching our 16th anniversary. With that solid foundation and a lot of experience, I ventured into the “professional” world of filmmaking. On Feb. 25, I interviewed for the job of Second Assistant Director with a DGA First A.D. on an indie “no-budget” feature. Landing the unpaid job, which also involved me handling product placement and serving as production office coordinator, it absorbed three full weeks of my life, and left me very hard-pressed to pay my April rent. Happily, it also was an immensely positive experience for my self-confidence, my industry relationships and my reputation. The way it hit within a flurry of sustained efforts, though I didn’t realize it, those hard days on “New Walden” paved the way for my career in film production. It just took me another handful of pro-bono production jobs, and a summer of grunt A/V gigs at Orlando area hotels, before I landed a real job on a big feature.

But on Feb. 22, a Friday, in between a day job where I did word-processing for an engineering firm, and a night job babysitting the A/V needs of the Downtown Orlando Marriott, I dropped off an original short script I’d written for my friend Bill Waxler to consider directing. Bill had expressed interest in an idea I had for a story about an aging man who has an epiphany after awakening from a nap one afternoon. My freshmen year of high school was spent in Greenville, Illinois, and near the relatively small school, there was an old gas station, operated by an even older gentleman named Hap, who had been selling snacks to kids there since my father first went to the same school 20 years earlier. It was definitely Hap I was thinking about, but in the script, he’s named Daniel Casey. I hope you enjoy it — you can download the script by clicking here.