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Arc of the Poet, Part 15: Being

“Being must be felt. It can’t be thought.” ― Eckhart Tolle

Like you and everyone else of course, when it comes down to essential facts, I have my parents to thank for my existence. Following on through with my countdown ‘Ramble’ project, I end (for now) this shared journey. These words complete a poetic arc for yours truly, and looking ahead, I am aiming to write and produce new works you will find to be flat-out fascinating.

At this point in my life, I have grown to love the act of writing a poem. It’s most sacred to me… Read more

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Sep. 28, 2011: Grandma’s laugh

Growing up, I had two wonderful grandmothers: Beatrice Travis-Ridings or “Granny Bea,” who passed away just a few months before Amelia was born in 2001… and Eileen Darnell-Houser or “Grandma Bam,” who left us in 2009. Back in 2010, I wrote about Granny Bea, and this post on Grandma Bam is long overdue.

My life has been keeping me very busy lately. Outside of my daily activities focused on taking excellent care of my family and clients, free time has been extremely scarce. This week, my father celebrated his 70th birthday — and with my stepmom, their 36th wedding anniversary — while my big bro arrived at birthday number 48. As I thought about things I could do in their honor, I remembered the video interview I did with Grandma Bam back in 2004, and decided to share some of its contents with them and our other friends and familymembers on Facebook. Read more

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Arc of the Poet, Part 14: Ramblings

More than ten years ago, after relocating to the Blue Ridge Mountains and making final preparations for parenthood (we actally studied The Bradley Method), Beth and I launched into this current phase of our love story. Experiencing life’s joys and sorrows together over the next couple of years, while diligently tending to my business and supporting personal projects for many members of the family, I wondered what was to come for the creative writer. In 2002, I made up an answer, in the form of a new writing project named Ramble. In it, I aimed to address my personal challenges, write simply and seek new focus. From the beginning, these words have appeared at the top: “This document will hopefully grow in the weeks ahead to represent a journey: the rediscovery of the writer inside a person caught up in his life as businessman, husband and parent.”

Going mostly on instinct, I limited each line to 38 characters, wrote the first entry 73 lines long, and planned to make each subsequent verse one line shorter. If all went as hoped, I figured the final line would be something significant, even if most of the others might be forgettable.

Leaping ahead to the present, Ramble has been somewhat miraculous to me; as you might expect, it changed dramatically over time… and so have I. For the first, longest verses, I vented in detail about momentous developments, including some of the bigger political and global issues of those days. Progressively, I grew more and more daunted in facing the need to communicate things of real importance concisely. For anyone arriving at a crossroads in life with ability and time to write, I encourage a similar writing challenge. If you don’t have years and years to devote, begin with a five-line poem, then count down four, three, two and one: In my experience, it’s a productive approach at focusing oneself. Read more

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Arc of the Poet, Part 13: Fame and Fortune

A good number of great people have expressed at least some appreciation for my writing over the years. Since long ago, many believers have expressed confidence in these abilities, and I feel that their belief is essential to who I am. When I think about what’s to come for me as a writer and artist, I’m inspired by the idea of honoring each of those individuals, and all others interested in my words. Gratefully, I’ll carry on.

In the summer of 1995, I joined the production crew of the primetime NBC television series “seaQuest” at Universal Studios Florida, and began an adventure I’ll never forget, helping produce 13 episodes with a Who’s Who of spectacular production and entertainment industry talents. We were in Orlando, making headlines in all the top national trades well before the first episode of “SeaQuest 2032″ hit the airwaves featuring Michael Ironside, Roy Scheider, Michael York and scores of other hot and rising Hollywood stars.

seaQuest 2033

Autographed by Jonathan Brandis.

I earned my job from the prolific television producer and director Steve Beers, by committing to handling script distribution and revisions for all the producers and writers, just as I’d done for him and the other producers on “Fortune Hunter” the previous year. That show for Fox had made a big splash and also involved serious heavy hitters, but seaQuest was a phenomenon… a massive franchise for NBC, Amblin Television, Universal Television and all the other industry all-stars involved. Read more

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Arc of the Poet, Part 12: Resistance

In the spring of 1995, I was trying to be many things to many people, and those wide attempts to stretch, please and succeed consumed so much energy that more than once, I was caught unprepared for the results. Especially for my inner-poet, it was a mad time.

That January, I had sent the following letter to Tom Tilford at Midwest Poetry Review to thank him for publishing Ethereal Stones, share more work and continue building our relationship. The sticky note he returned with my letter appears below. Read more

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Arc of the Poet, Part 11: Rewrites

Thank you very much for your interest in this thread, and my ongoing adventures as a poet. This project revisits the experiences of the past 20 years for posterity, your entertainment and hopefully some enlightenment as well. This is part 11, and number 15 is the last entry I have outlined. In finishing the series up over the next several weeks, I have a few more stories I hope you’ll enjoy.

The following lines are from An Essay on Man published by Alexander Pope in 1734.

All Nature is but Art, unknown to thee;
All chance, direction, which thou canst not see;
All discord, harmony not understood;
All partial evil, universal good:
And, spite of pride in erring reason’s spite,
One truth is clear, whatever is, is right.

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Arc of the Poet, Part 10: Good Poetry

I may never become famous as a result of a poem I’ve written. I reluctantly accepted that probability some time ago, but only after mounting great, concentrated efforts designed to place my poetry within well respected literary publications… most of which failed.

I’ve always been a sincere fan of my mother Lila Darnell’s direct, powerful and stylized creative writing. Through my high school and college educations, exchanges with many other colorful and smart friends and family members, and lifelong exposure to magazines, radio and cable TV broadcasts, I developed a pretty strong sense for good poetry, and where that odd form of writing fits into the world. In my early 20s, I was introduced to the works of Charles Bukowski, who appeared to me as a 360-degree representation of the life of a successful poet… and who wrote books I loved instantly, due to them being so human, approachable, funny, well written and good. Read more

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Arc of the Poet, Part 9: Dear Departures

1993_note

Note from Tom Tilford, Aug. 13, 1993

In the summer of 1993, I was very proud to be the husband of Beth Darnell, a homeowner in downtown Orlando, and a genuine communications industry professional making some headway as a writer, producer and photojournalist. My campaign efforts pitching my original creative entries into literary publications produced no other significant results, until one day a poem came back with this kind note (click for full-size) attached.

I could have wept. Here’s the poem it was attached to. Read more

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April 2011 Photo Set

Photos from a spectacular April.

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Arc of the Poet, Part 8: Feedback

Even before I had done any real research or taken my first steps into the legitimate literary world, the intellect, attitudes and ideas I gained through my parents and early life experiences gave me an expansive sense of entitlement. A specific delusion I suffered from was believing that the first time my work was read by any sound judge of a literary competition, my name would be affixed to the prize and I’d be on my way to fame. By the midway point of 1993, however, my steady outreach to editors covering poetry and short fiction had only resulted in a growing collection of rejection slips. Most of them were just generic slips of paper, photocopied and stuck into the required SASE (self-addressed stamped envelope) without a second’s thought… but others were from manuscript competitions where I had little choice but to accept that my work had actually been read and deemed unworthy. Read more

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