RELEASES

.COMPLETE CREDITS HERE.
 

Scene 1 from Helio "Scuba Time"
Image courtesy of a52.
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Scene 2 from Helio "Scuba Time"
Image courtesy of a52.
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300 dpi version here.


Scene 3 from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


Scene 4 from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


Scene 5 from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


Scene 6 from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.

Contacts:
Roger Darnell
DWA for a52
1.828.264.8898

For Immediate Release

The new spot, directed by Jared Hess of Moxie Pictures, is entitled “Scuba Time.”  Available in both :30 and :15 versions, the action is set deep in the ocean, where a diver is found by his buddy, who used the Buddy Beacon™ service on his Helio device to track his friend down on a spear-fishing expedition.  When a young woman swims up to the pair and comments on the cool “phone,” she is soon engulfed by an enormous whale, leaving the second diver to comment, “She shouldn’t have called it a phone!” 

After debuting on Nov. 16, the spot is set to continue airing in high-profile broadcast venues over the weeks ahead.

“a52 really brought this concept to life,” said Nate Morley, VP/Group Creative Director at Deutsch.  “The work they did on the whale, the color and the environment helped us take this spot to another level.” 

“The simple ideas always seem the hardest to pull off,” added Jennifer Parke, VP/Group Creative Director.  “a52 and the entire team made the very complex process of a whale eating a girl look so simple.” 

a52’s team, including VFX supervisor Patrick Murphy, VFX producer Sarah Haynes, CGI supervisor Andy Hall, lead Inferno artist Raul Ortego and others worked closely with the agency and production teams – including Hess, line producer Laura Heflin and director of photography Munn Powell – to determine what needed to be shot during the project’s single day of location production, which was filmed at the Olympic Training Center in Salt Lake City, Utah.

Moving forward with the live-action footage of the divers, a52’s post-production work began.  Under Andy Hall’s supervision, a52’s CGI team of Paulo de Almada and Dan Gutierrez modeled, textured, colored, animated and lit the “hero” whale, as well as a school of fish that appears throughout the spot, using Maya for the animation, and Mental Ray for rendering.

From there, Raul Ortego artistically composited-in the coral reef and appropriate screens for the Helio device, while also adding the CG fish and whale.  His final touch was to color-grade the water to complete the spot’s deep-sea illusion.  “Because the actors were shot in a pool,” Ortego explained, “there was a challenge in the way that we had to handle the sea water color-correction, to make it appear realistic, while also making the actors appear very clearly.”

“Jared did an amazing job directing this,” said Jen Dennis, who served as the agency’s producer on the project.  “It was a great cast, it was shot extremely well.  From the rough-cut to the final version is truly unbelievable; a52's team absolutely brought this spot to life.  From my perspective, this is one of the most extraordinary leaps from the rough-cut to the final version of a spot that I have ever worked on."

"The entire team has reason to be proud," said Randy Morton, SVP/Director of Production for Deutsch LA. "From strategy to final spot, this is great work."

The agency’s credits for the project included Deutsch/LA President/CCO Eric Hirshberg, VP/group creative directors Jennifer Parke and Nate Morley, art director David Zorn, copywriter JD Jurentkuff, SVP/director of broadcast production Randy Morton, SVP/executive producer Steffi Binder, SVP/group account director Diane Kuyoomjian and account supervisor Mandy Magee.  For Moxie Pictures, the production team also included executive producer Lizzie Schwartz.  a52’s team also included executive producer Mark Tobin.  Telecine was handled by Stefan Sonnenfeld at Company 3.  For editorial company Lost Planet, credits include editor Paul Martinez, producer Christie Price and assistant editor Olaf Garcia.  The spot’s end graphics are courtesy of Logan.  Sound design was handled by sound designer Brian Chapman and producer Adrea Lavezzoli of Beacon Street.  The final mix was engineered by Robert Feist of Ravenswork. 

About a52
Established in 1997 as a home for the very latest high-end photo-real visual effects technologies and the industry’s most innovative and talented graphic design artists, visual effects design company a52 creates award-winning imagery for the world’s most visually ambitious commercial and television projects.  Having relocated to Santa Monica in 2007, the company’s work has earned AICP Show recognition for 11 consecutive years along with recent “Outstanding Commercial” Emmy, Andy, BDA, Belding, Clio, British Design and Art Direction, International Monitor, International Automotive Advertising, London International Advertising, One Show and PROMAX awards.  For more information, please call 1.310.586.0650 or visit www.a52.com.

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Helio "Scuba Time" :30

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CG whale development scene 1 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


CG whale development scene 2 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


CG whale development scene 3 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


CG whale development scene 4 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


CG whale development scene 5 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.


CG whale development scene 6 
from Helio "Scuba Time"
Image courtesy of a52.
Click on thumbnail for 72dpi image. 
300 dpi version here.